Met Concert Number Three - Fiesta

Overview

Passion. Movement. Splendour. Rhythm. The Metropolitan Orchestra's third and final Met Concert for 2026 is a dazzling season finale built to captivate. Under the direction of Chief Conductor Sarah-Grace Williams, this performance celebrates irresistible dance rhythms and late-Romantic splendour inside the stunning Verbrugghen Hall. The program opens with the sultry sway of Arturo Márquez's Danzón No. 2, a piece bursting with Mexican energy and…

Passion. Movement. Splendour. Rhythm.
The Metropolitan Orchestra's third and final Met Concert for 2026 is a dazzling season finale built to captivate. Under the direction of Chief Conductor Sarah-Grace Williams, this performance celebrates irresistible dance rhythms and late-Romantic splendour inside the stunning Verbrugghen Hall.

The program opens with the sultry sway of Arturo Márquez's Danzón No. 2, a piece bursting with Mexican energy and syncopated brilliance. Next, the orchestra moves into the glittering waltzes, playful nocturnes, and energetic gallops of Aram Khachaturian's Masquerade Suite, bringing theatrical drama and timeless grace to the stage. To close the evening, Sergei Rachmaninoff's magnificent Symphonic Dances takes the audience on an epic journey from haunting nostalgia to exultant triumph. It is a bold, cinematic masterpiece that offers a fitting finale to TMO's incredible 18th year.

Whether you are a seasoned concertgoer or new to orchestral music, this 90-minute performance offers an immediate, and engaging experience of live storytelling through sound.

Location

Verbrugghen Hall, Sydney Conservatorium of Music

1 Conservatorium Road Sydney NSW 2000 Australia

Get directions
Location - 1 Conservatorium Road Sydney NSW 2000 Australia

FAQs

Accessibility

Allows a person's carer free entry into participating venues and events

Actively welcomes people with access needs.

Caters for people who use a wheelchair.

Have a step free main entrance to the building and/or reception area (includes ramps or slopes with a maximum gradient of 1:14, otherwise are too steep for wheelchairs)

Have accessible seating areas in theatrette

Offer a range of contact methods for receiving complaints

Offer multiple options for booking - web, email, phone